By Sears Eldredge
In the 18th Div. HQ Area, another new open-air theatre, dubbed The Hippodrome, opened with the pantomime, Jack and the Beanstalk, produced by one of the returned Singapore Working Parties.
In the Selarang Area, the A.I.F. Concert Party opened their Christmas pantomime, Cinderella.
Many pantos, like Jack and the Beanstalk, are about a young hero on a quest; others, like Cinderella, had a young female who needed rescuing from her desperate plight (in the A.I.F.’s case, Cinderella was an ex-Navy Sick Berth Attendant).[i]
During the beginning of Cinderella’s run, someone had the brilliant idea of trying to tour the panto to Changi Gaol to entertain the European children incarcerated there. Permission from the Japanese was sought and granted. But while they were in the process of transporting their costumes, props, etc., to the Gaol, the Japanese changed their minds and permission was denied. The toys made by the POWs, however, were delivered to the children for Christmas as promised.[ii]
[i] Parkin, 19.
[ii] Boyle, 52.
Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105
Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22