Tag Archives: 18th Divisional HQ

More Trouble in the Works

By Sears Eldredge

On the 30th, Wilkinson attended an important “Director’s Meeting” at 18 Div. H.Q.  . . .

. . . to go into the whole question of entertainment, and the hospital and our Theatre arrangements. There was quite a lot to go into, as all the people who have come up from Singapore have got either complete shows or parts of them and we now have 5 small Theatres in the area producing unit shows.[1] The idea now is to finish building the 18th Div. Theatre so that Variety Road shows can be performed there, and select the best turns for more polished shows at the Palladium.[i]            

It was also disclosed at the meeting that the Japanese had confirmed that all the meat available in cold storage on the island had run out.[ii] This was not good news. The substitute would be fish.


[1] These are just in the 18th Division Area.


[i] Wilkinson. Diary. 30 Dec. ’42.

[ii] Wilkinson. Diary. 30 Dec. ’42.

Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105

Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22

Christmas Pantomimes

By Sears Eldredge

In the 18th Div. HQ Area, another new open-air theatre, dubbed The Hippodrome, opened with the pantomime, Jack and the Beanstalk, produced by one of the returned Singapore Working Parties.

Program cover for Jack and the Beanstalk. Desmond Bettany.
Courtesy of the Bettany Family.

In the Selarang Area, the A.I.F. Concert Party opened their Christmas pantomime, Cinderella.

Many pantos, like Jack and the Beanstalk, are about a young hero on a quest; others, like Cinderella, had a young female who needed rescuing from her desperate plight (in the A.I.F.’s case, Cinderella was an ex-Navy Sick Berth Attendant).[i]

During the beginning of Cinderella’s run, someone had the brilliant idea of trying to tour the panto to Changi Gaol to entertain the European children incarcerated there. Permission from the Japanese was sought and granted. But while they were in the process of transporting their costumes, props, etc., to the Gaol, the Japanese changed their minds and permission was denied. The toys made by the POWs, however, were delivered to the children for Christmas as promised.[ii] 


[i] Parkin, 19.

[ii] Boyle, 52.

Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105

Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22