By Sears Eldredge
Because of the huge resettlement of the POWs into a smaller perimeter that had taken place during the latter days of 1943, the number of performance venues in Changi were now limited to five: The A.I.F. Theatre, Command’s indoor and outdoor theatres, and the Con Depot’s outdoor theatre, as well as the YMCA music marquee—all in the Selarang Area. There is no mention of another performance in The Kokonut Grove Theatre in the records. But a new outdoor venue—The Phoenix Theatre— appeared in January in Hanky Park, which was, according to Huxtable, “over near the Malaya Command building half a mile away, over by No. 3 gate.”[i] These POWs were most likely from the Volunteer Forces who had been in the Southern Area and Up Country. The entertainers called themselves “The Red Rose Players.” Their orchestra was directed by Geoffrey C. Knight and their Stage Manager was S. J. Cole. The Phoenix became another of the Command Theatres.
Playbill for January/February ’44. Dick Wittington, at the A.I.F. Theatre, and Aladdin at Command’s indoor theatre, would finish their runs towards the end of the January. Meanwhile, the Variety show, Roman Rackets, written by Graham Sauvage and produced by S. J. Cole was on at the new Phoenix Theatre at Hanky Park. On 25 January, Noel Coward’s Hay Fever, produced by Osmond Daltry and directed by Chris Buckingham opened at Command’s indoor theatre.
In early February, Shooting High, a Western Farce written by Les Connell & McArthur and produced by Keith Stevens went up at the A.I.F. Theatre, followed by a Variety Show, Bits & Pieces. Huxtable, had this to say about the A.I.F. shows he saw:
The shows are always bright and amusing, if somewhat lowbrow – clever singing, dancing, female impersonations (John Woods) and conjuring tricks (Sid Piddington).[ii]
The Phoenix Theatre’s show for February was P. G. Wodehouse’s, Good Morning, Bill, produced by John Burne.
Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105
Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22