By Sears Eldredge
Cinderella and the Magic Soya Bean, opened The Barn Theatre on 22 February and ran for four performances with packed houses. The “burlesque pantomime” was written by Alan Roberts, who took over as sole producer because Horner was suffering with septic sores on his legs and feet.[i] Searle designed the costumes and settings; the wigs were made by Dick Trouvat. Given the cast of characters, the panto seems to have been a mashup of characters from different traditional pantos with additional fictional and film personalities, as there are characters in it called Widow Twankey, Dick Whittington, The Genii, Groucho Marx, Prince Yesume, Gestapo Chief, and Sherlock Holmes. The British and Australian cast numbered 15 with “Cinderella” played by Jon Mackwood and Jack Horner as the “King of Khanburi.”
Searle’s whimsical designs for the costumes (see above) contain detailed identifying the character, the actor playing the role, and on what fabrics or sources to use in their construction. Beckerley played “The Court Magician” second from left in the bottom row. The originals are in full color.
According to Reginald Burton, Searle even designed a coach for Cinderella’s trip to the ball: “They had a sort of mock-up of a coach which was really a cardboard cutout that they pulled across. And I think Cinderella walked behind it looking out of a window.”[ii] After the last performance, Horner crowed that ‘“Cinderella etc.’ has been a howling success.”[iii]
 The soya bean in the title is a reference to the soya beans the POWs were given with every issue of rice, which were not to everyone’s liking. Burton, R. 134.
 Yasume – Japanese word for “rest.”
 Kanburi. The Hospital Rehabilitation Camp at Kanchanaburi in Thailand. Their last camp in Thailand.
[i] Horner, R. 118.
[ii] Burton, R. “Interview.” 35-36.
[iii] Horner, R. 119.
Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105
Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22