Tag Archives: Java

New Book: Captive Fathers, Captive Children

“Captive Fathers, Captive Children: Legacies of the War in the Far East”

By Dr Terry Smyth

Defeated and disorientated in the heat and humidity of Java, my father, Edwin Smyth, was captured by the Imperial Japanese Army. It was the spring of 1942, and he was to spend the next three and a half years as a prisoner of war, including three years in Japan enslaved as a coal miner. Until his death in 1995 he remained greatly troubled by his memories, and his traumatic wartime experiences had a profound effect on me and on the wider family.

While a young child, I also often felt ‘defeated and disorientated’, by the atmosphere in the home. As the years rolled on, I continued to wonder why seven decades after the war so many of us remained fascinated by our fathers’ experiences of captivity and why we invested countless hours and days researching the facts and attending remembrance events. I was desperate to know how my childhood experiences compared with those of other sons and daughters of Far East POWs, and in what ways our memories of childhood had shaped our later lives. (Some questions don’t go away do they, even after decades and decades?)

After retiring from full-time employment in 2003, I began to read through my father’s papers. This reading, together with burgeoning online resources, were the triggers for my wife and I to travel to Japan in 2010 where we were able to visit the site of my father’s incarceration (Hiroshima 6b camp, near Mine City). At that point, I had to make a decision: either I would have to commit to taking this research further, or accept that I had gone as far as I could.

Faced with this fork in the road, curiosity won the day, and I decided to tackle the question head on. In October 2013, I started a full time PhD in the Department of Sociology at the University of Essex, graduating in the summer of 2017 just days after my 70th birthday.

During my research, I had contact with almost one hundred children of FEPOWs from all corners of the British Isles (and a few overseas), and undertook lengthy interviews with forty. As expected, these conversations were wide-ranging, challenging and emotionally demanding, made more so by the fact that they covered several decades of lived experience. Without exception, each interview offered new insights and fresh understandings, and I am exceedingly grateful to every participant for their trust and openness.

In June 2020, I signed a book contract with Bloomsbury Academic, one of the UK’s leading publishers. The book is part of their ‘New Directions in Social and Cultural History’ series, and sets out the results of my research into the life time consequences of having a FEPOW father. It aims to show how memory and trauma became ‘worked into’ the psychic, social and cultural lives of the children, how individual lives are touched by global events. Every family was affected in one way or another by the father’s FEPOW trauma, and I have not shied away from discussing and analysing the more troubling aspects of the children’s experiences, my own included. Taken together, these examples provide incontrovertible evidence of the incredible strength, resilience and courage of the participants in this research.

Cover: “Captive Fathers, Captive Children:
Legacies of the War in the Far East”

The seven chapters that comprise ‘Captive Fathers, Captive Children’ are as follows:

  1. Life in captivity
  2. Bringing war into the home
  3. Remembering and commemorating
  4. Finding meaning in memories
  5. Home as a site of remembrance
  6. The search for military family histories
  7. Place and pilgrimage

Sir Tim Hitchens, British Ambassador to Japan from 2012 to 2017, was kind enough to write the Foreword.

Although the book has been published by Bloomsbury Academic, wherever possible I have written it to appeal to a wider audience, most importantly the families of FEPOWs, as well as to those scholars and others interested in methodology, intergenerational trauma, and the legacies of war more generally.

To date, the book has been published in digital and hardback versions, and the paperback will appear in July 2023. You can find further details on the Bloomsbury website.


Dr Terry Smyth is a Community Fellow in the Department of History at the Univeristy of Essex. You can view his profile here.

Toneel

By Sears Eldredge

The N.E.I. POWs from Java had many talented musicians and theatre personnel among them. Most of the officers spoke English but their troops did not, so they needed some sort of entertainment in their own language to keep up morale. “Some Dutch Officers from the A.I.F. Area came to see me to borrow some plays,” wrote Wilkinson, “so that they could translate them into Dutch and produce them in the A.I.F. Theatre.”[i] 


[i] Wilkinson. Diary. 23 Nov. ’42.

Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105

Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22

Trouble in the Works

By Sears Eldredge

Meanwhile, problems with performer burnout and/or dissatisfaction with a particular format and content were beginning to be heard among divisional concert party entertainers, as had happened in the 18th Division’s “The Optimists.” (See Captive Performers, Chapter 1). Intense discussions about the need to change their production format and rethink their individual roles within the company had been taking place for a while in the A.I.F. Concert Party. Some in the group “wanted to branch out in new directions,” recalled Jack Boardman, “straight singers [wanted to become] comedians, musicians [wanted to become] actors and actors [wanted to become] musicians.”[i] To accomplish these changes would require, some believed, a change in their leadership.   

The reason why John Wood was drafted into responsibility for artistic/programming/etc. was that some performers thought Val [Mack’s] style was too old-fashioned and that an experienced “new broom” was required. Others disagreed and preferred the status quo. In the end Val continued as O.C. for discipline [Administration] and the John Wood style of show started. Less vaudeville/burlesque/music hall and more revue/drama/musical comedy. There was no visible animosity between them as a result of the change.[ii]

And since the orchestra had increased in size to fourteen members and had started giving musical concerts on Sunday evenings on its own in McNeilly’s Y.M.C.A Hut in the Convalescent Depot, it was decided that it should be administered separately. Sgt. Bill Middleton, their Musical Conductor, was given this responsibility.[iii]

When the Australian concert party reached full strength, it would have forty-three members: nineteen actors/singer/specialty acts, seventeen musicians, and a permanent staff of seven (see below).[1] 

The playing time of their shows in the Gordon’s Gymnasium had now stretched to eighty-five minutes, instead of the earlier fifty. Realizing the importance of this venue to their future plans, they sought permission, which was granted, to transform the gymnasium into a permanent indoor theatre space. 

Alterations to the Gordon’s Gymnasium were almost complete when their grand plans for a permanent theatre had to be scuttled. Some of the working parties that had been stationed in and around Singapore began to be transferred back into Changi, and their re-appearance, along with an influx of thousands of POWs from Java, caused an acute housing shortage making it necessary to use the gymnasium for their accommodation. The concert party was given twenty-four hours to move out all their staging and equipment.[iv]

Playbill for August ‘42.

August opened with “The P.O.W. WOWS” performing “Ringside Laughter” at their Rice Bowl Theatre and on tour. The 4th item on their bill, “Dickey-Bird” must have been a heads-up to the audience that they were about to receive coded news about the progress of the war from their secret radio.[2] The St. George Players continued touring with Macbeth.

Back in the India Lines, Wilkinson was finding it increasingly difficult to both direct rehearsals of I Killed the Count and play the leading role, so Major Frederick Bradshaw, who had just been brought up from Singapore and had been a professional West End actor, took over as director.[v]  

A new show, Windmill Variety No. 1, opened at The New Windmill Theatre on 17 August, which was headlined by Padre Foster-Haigh’s Male Voice Choir, the 18th Div. Signals String Band, and Fergus Anckorn performing several of his conjuring tricks.            

Elsewhere in Changi, the P.O.W. WOWS had produced their 11th tour show which starred John Wood (on loan from the “The A.I.F. Concert Party”) and were ready to open their 12th edition which contained the song, “Changi Blues.” Another play, The Dream, was running in the Command Area, and the “Changi Celebrity Artists” continued their tours. To complicate matters, there was another outbreak of diphtheria in the camp which caused two deaths and put nearly two hundred men in the hospital. Fear of an epidemic spread throughout Changi.[vi]


[1] Orchestra: Herbert Almond (Clarinet), Ray Arnell (Saxophone, Violin), Ernest Banks (Banjo and Saxophone), Eric Beattie (Violin), John Boardman (Piano and Arrangements), Fred Brightfield (Drums and Effects), Ron Caple (Drummer and Comedian),  John Garrett (Guitar),  Jack Geoghegan (Guitar, Variety Artist, Leader Swing Band), David Goodwin (Saxophone and Arrangements), Keith Harris (Piano and Arrangements), Tom Hoffman (Cornet), Leslie Jacques (Trumpet), Bill Middleton (Musical Director), Fred Stringer (Trumpet, Piano), Ray Tullipan (Song Writer, Cellist), and Ernest Warne (Trumpet, Electrician).

Entertainers: Russell Braddon (Thought Transference), Wally Dains (Specialty Dancer), Ted Druitt (Ballet and “Glamour”), Slim de Grey (Variety Artist and Song Writer), Stan “Judy” Garland (Specialty Dancer and “Glamour”), Leslie Greener (Actor, Writer and Critic), Douglas Mathers (Baritone), Val Mack (Vaudeville, Producer, and Comedian),  Bernard McCaffrey (Baritone), John Nibbs (Singer), Doug Peart (Actor and Variety Artist), Bob Picken (Comic Artist), Syd Piddington (Stage Director and Magician), “Happy Harry” Smith (The “Funny Man”), Keith Stevens (Variety Artist, Writer), Jack Smith (Comedian), Charles Wiggins (Variety Artist, “Glamour”) Frank Wood (Singer, Actor, Variety Artist), and John Wood (Producer and Star Artist).              

Staff: Clarry Barker (Electrician), Bert Gailbraith (Tailor), Ted Rigby (Stage Carpenter), Bill Sullivan (Seating Supervisor), Robert Mutton (House Manager), Clifford Whitelocke (Publicity), and Bert Gay West (Décor). [Piddington, “Changi Souvenir Song Album,” privately printed, n.d.]

[2]Whether there was more than one secret radio receiver in the camp is difficult to tell from the documents. They did not have a transmitter.


[i] Piddington, “On With The Show” in A.I.F. Changi Souvenir Song Album, n.p.

[ii] Boardman, J. Letter, 23 Aug. 03.

[iii] Stewart, Report, 3.

[iv] Piddington, “On . . . . ,” n.p.

[v] Wilkinson. Diary. 27 August ’42.

[vi] Nelson, 39.

Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105

Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22

Nine lives and two tins

By Mike Appleton

To have almost no possessions except for the rags one stood up in, must have been a truly harrowing experience. This I believe explains the two tins shown below, which were with my father, Johnnie – Sgt J. G. Appleton 27 Sqdn RAF (pre-capture briefly attached to RAF HQ Communications Team) – throughout his time as a POW in Sumatra, as he moved from one jungle camp to the next. The fact that he brought them home and kept them all his life speaks volumes about their significance.

The discoloured tin held tobacco and matches. There were still shreds of tobacco in it when I was young. It also held a wad of occupation money. The Gold Flake tin held a Japanese toothbrush, with its bristles stained bright red from using tree bark as toothpaste (this has gone missing), some letters and his Japanese ID badge. On the right is his RAF insignia and on the left another badge which I don’t recognise, can anyone tell me what this is?

My father John Griffith Appleton (1917 – 2009) served in the RAF for 32 years (1935 -1967). During WW2 he was first stationed in India before flying down to Malaya. As the Japanese invaded from the north, he fled from one bombed-out airfield to the next and then, in a hazardous rush, to Singapore. During the invasion of the Island he was a key member of a team that, up to the last moment, kept open the communications links to India and Java.

On the night of 13 Feb 1941 Johnnie was ordered to leave with his team. They boarded the S.S Tien Kwang bound for they knew not where, and being exhausted, fell asleep on the deck. The next morning, they woke to the sound of low flying aircraft starting their bombing run and within moments the ship was holed, listing and there were many casualties. Another ship nearby the SS Kuala suffered a similar fate. Following the order to abandon ship, Johnnie managed to swim towards Pulau Pompong Island and being unhurt assisted in helping the wounded and disposing of the dead.

After several days and a hair-raising journey in a junk, he landed in the mouth of the Indragiri River on the East coast of Sumatra. There was then an arduous traverse of Sumatra to the West coast and Padang where it was hoped they would be taken off by a Naval ship. No ship arrived and instead they simply waited in limbo and trepidation for the arrival of the Imperial Japanese Army.

For the next three and a half years Johnnie was in a total of 10 camps in Sumatra, with progressively harsher regimes and ever-increasing levels of privation as the war progressed. The culmination of the experience was a year building the railway linking Sumatra’s east and west coast ports. This line was forged through virgin jungle with basic hand tools, in adverse climatic and disease-ridden conditions. The irony was that the track was completed shortly before the Japanese capitulated and was never really used thereafter. It is now in ruins and reclaimed by the jungle.

In 1999/2000 Johnnie compiled a detailed memoir describing his and fellow prisoners’ hardship and ill treatment. What is remarkable on reading his account, is not just that he survived, but that he did so with no lasting physical impairment and outwardly no mental issues. Unlike many of his contemporaries, he did relate stories and describe events, in particular about living in the jungle and the various wild animals encountered – and eaten! His explanation for survival seemed to involve using the hard work and squalid conditions as a challenge. He had the determination that however bad he felt he must rise and work hard all day.

At one point a Japanese camp commander called him out from a daily parade and, instead of beheading him for some minor misdemeanour, which was my father’s expectation, awarded him a tin of sugar, a reward for having worked 100 days without a break. Other contributory factors he offered were, the responsibility undertaken for looking after the RAF contingent, prior experience of living in Asia, an extensive inoculation programme when he was being trained pre-war and, being a boy scout!

Towards the end of the war it is clear from his account that survival was very much in the balance as the effort to overcome extreme beriberi and starvation became overwhelming. The descriptions of the excitement experienced as SOE operatives literally dropped out of the trees and liberated the camp, is thrilling to read. It does also appear that the RAF, within the knowledge parameters of the day, re- PTSD etc., did do much to ease him back into fully operational service as a ‘regular’, and promoted him several ranks to make up for lost time and in recognition of the responsibility he had taken on in the camps organising his RAF colleagues.

For many years post-war Johnnie played a role in his local FEPOW branch and acted as treasurer.

Johnnie Appleton, carrying a FEPOW Federation wreath, Manchester Cathedral, late 1990s (©courtesy M. Appleton)

Stitched Up… A Little Piece of History

Marking the 79th anniversary of the Fall of the Netherlands East Indies, Meg Parkes shares what her father called “his little piece of history”
Fig.1 first of five typed pages setting out the Dutch capitulation ©M.Parkes
All five pages of the original Dutch notice of surrender are reproduced in Meg’s book, “Notify Alec Rattray…”, the first part of her father’s diaries.

In the early 1990s while I was transcribing his diaries, my dad told me the story behind this  document and its important place in Second World War history. It is the first of five pages of the official order to surrender the Dutch East Indies. The order was issued on 8 March 1942 by General Ter Poorten Commander-in-Chief of Dutch Forces. It is believed to be the only copy in existence, thanks to the squirreling tendencies of my father Captain Andrew Atholl Duncan A&SH.

Dad served briefly as senior cipher officer in British Headquarters in Java. On 15 January 1942 General Wavell moved GHQ from Singapore (where Dad had been one of four cipher officers) to the village of Lembang just north of the regional city of Bandoeng in the Central Highlands, to bolster Dutch defences against the imminent Japanese invasion.

On 25 February, Wavell was recalled to India taking with him two of HQ’s senior cipher officers. Left behind to serve the newly appointed commander, Major General H. D. W. Sitwell, were Lieutenants Duncan and Campion[i]. Dad was then promoted to captain by Sitwell

On Sunday 1 March the Japanese assault on Java began. At 4a.m. on 7 March the British secretly abandoned HQ, omitting to inform the Dutch Liaison Officer Capt. Barron Mackay. He turned up for duty next morning to find British HQ in disarray and no sign of where the staff had gone[ii]. The British trekked into the mountains to the south eventually assembling at the Santosa tea plantation. Dad briefly acted as A.D.C to Sitwell at talks with Ter Poorten’s HQ regarding Sitwell’s plan to wage guerrilla warfare against the Japanese. However, the Dutch would not countenance the plan.

During the early hours of the next day, Dad was on duty when the order to surrender came from General Ter Poorten. A long message set out the terms of surrender the Dutch had accepted from the Japanese. What must it have felt like for him to write the words, “Raise white flag as sign of surrender”? Once decoded, the handwritten copy was passed to the stenographer for typing, Dad instructing him to “shove in a carbon”. The typescript filled five RAF message forms which were taken to the general who was sleeping. Sitwell, having read the message, responded with, “No reply, Duncan”.

Amid the chaos and confusion that followed the surrender Dad had the forethought to keep the carbon copies of the surrender document and at some point prior to captivity they were neatly folded and stitched into the lining of Dad’s glengarry. There they stayed undetected during the next eight months in Java and for the subsequent years in Japan.

Capt Duncan’s glengarry

Keeping hold of this important historic record had mattered greatly to Dad and I came to believe it was talismanic. Dad and these records were intrinsically linked; each helped the other to survive and much later to tell their Far Eastern Second World War stories.


[i] Diary of Lt Desmond Campion, private collection

[ii] Report by Dutch Liaison Officer Capt R.A. Baron Mackay KNIL, IWM Documents https://www.iwm.org.uk/collections/item/object/1030008098

‘The Borneo Graveyard 1941–1945’

By John Tulloch

Borneo, the land of the head hunter, was a WW2 graveyard for POWs, internees, locals, Javanese and Japanese.

The narrative follows the raising of five air defence regiments in 1939, their deployment to South East Asia in late 1942, their short campaign in the Netherlands East Indies and eventual captivity as POWs in Java and then North Borneo.

This book portrays the horrific story of Borneo during the Japanese occupation of 1941-1945. Thousands of Australian, British, Dutch and Indian POWs, internees, locals of Borneo and Javanese perished in Borneo during this period.

The Borneo Graveyard 1941-1945, by John S. M. Tulloch

Allied POWs, who were sent to various POW camps in British and Dutch Borneo, were to die of maltreatment, malnutrition or execution. Many were forced to walk Death Marches in the jungle with a horrifying conclusion. Internees were held in internment camps and suffered dreadfully. The local populace suffered; torture, executions and massacres occurred and malnutrition was endemic. At great personal sacrifice they helped the POWs and internees. The secretive Z Force gathered intelligence and trained local guerrilla fighters. In 1945, the Australian military engaged in bitter fighting to liberate Borneo.

This book closes with the convalescence of survivors at Labuan, followed by the repatriation of British POWs and internees, and the dreadful wall of silence experienced by so many on returning to the United Kingdom.

This book is a tribute to the strength of character and bravery of those who endured the Japanese occupation.

The author, John Tulloch, served for eight years in the New Zealand Army including a 12 month Tour of Duty in Vietnam (68/69). He served 30 years in the British Army and then 12 years in the MOD Civil Service. For 21 years he was a visiting instructor on the Jungle Warfare Instructors Course in Brunei. He has trekked and climbed extensively in Sabah and Sarawak and has an extensive knowledge of the area. He has written articles and given talks on Vietnam and Borneo. This is his first book. He was honoured with the MBE in 2003.

Additional Information:

ISBN 978-983-3987-65-8                   Format: Hardback

Dimensions: 26x20x3 cm                   Pages: 472

Published: March 2020                       Cost: £25 plus p&p.

Contact and sole distributor: johnsmtulloch@gmail.com

For more information about the book and author please see the below flyer:

Liberation of camps in Dutch East Indies – Paula’s Story

Excerpts from internees’ recollections of liberation from Java

Composed by Dr Bernice Archer

Paula Kogel a young German woman married to a Dutch man and interned with her two young sons in Tjideng, Batavia (now Jakarta)

From ‘The House at Ampasiet’ (British publication by Matador). Used with kind permission from Lore Ridings, Paula’s daughter.

August 1945: One day (no date given) at around ten in the morning we were summoned to roll call on the main square….A Japanese officer stood on a small stage so that he could oversee us all and we were forced to look at him…There was no longer an aura of power emanating from him, more loss of spirit,… finally he started to talk. It was clear he found it difficult.

“Ladies, we have to tell you that Nippon has been forced to capitulate. The capitulation came after a new type of bomb was dropped on my country which has resulted in hundreds of thousands of victims. You are now free.”

We stood there a crowd of shabby looking women and children…We stayed silent. Nobody cheered, nobody moved. The terrible second world war had ended – but nobody had a Dutch flag. And nobody celebrated the liberation.

Life slowly came towards us, to greet us with a smile.

Liberation of camps in Dutch East Indies – Ernest’s Story

Excerpts from internees’ recollections of liberation from Java

Composed by Dr Bernice Archer

Ernest Hillen a young Dutch boy in Camp Makasar Java with his mother. His brother was in another camp with his father.

(Taken from: Ernest Hillen, The Way of a Boy: A Memoir of Java. Viking. 1994 )

Things were happening fast, the camp gate was wide open and left so. When a group of English officers first marched into Makasar some women bowed to them until they were told to stop. My father walked through the camp gate one afternoon. We had not seen him for three and a half years. He was not a big man… “Jongeetje, let your mother and me talk” he said in a low tone. But no-one called me Jongetje “little boy” any more; old little boy maybe.

Liberation of camps in Dutch East Indies – Jan’s Story

Excerpts from internees’ recollections of liberation from Java

Composed by Dr Bernice Archer

Jan van Dulm was interned aged 8 initially in Bloemencamp, Tjihapit with mother, older sister and two younger brothers and later in Ambarrawa 7 Boys’ camp Indonesia. (Java)

(Interview with Dr. Bernice Archer)

At the end we had to stay in camp for weeks/months because I was not allowed to go to my mother. It was dangerous as there was rioting outside the camps and the Indonesians were stealing from the camps.

I think it was 14th September before he went to find his mother. On my first day back my brother got asthma and my mother sent me to find a woman to help, but I did not know which woman or where. I thought my brother was dying.

We were all looking forward to that day but when that day appeared it was disappointing.

Dik and Jan:

Don’t forget we had been away 9 months, a year and we were mature in our minds and we come home and mother and father treat us like babies. They treated us as they had left us a couple of years prior –That was the clash –the next day we had the mutual understanding and that was SILENCE.

Liberation of camps in Dutch East Indies – Connie’s Story

Excerpts from internees’ recollections of liberation from Java

Composed by Dr Bernice Archer

Connie Suverkropp in camp at aged 11 years in several camps in Java with her two younger sisters.

Both her parents had died in different camps during the war. Her brothers were in the men’s camps and they survived.

(Interview with Dr. Bernice Archer)

It was difficult to adapt when we got back to Holland because I had no education for 2-3 years. I was 2 -3 years older than the other school mates but in thinking and feeling I was an old woman – looking like a girl but thinking like a woman. My classmates were 2-3 years younger in Holland and I thought them very childish.