Tag Archives: Reginald Renison

The “Speedo”

By Sears Eldredge

Meanwhile, over a thousand miles away in Thailand and Burma, the POWs building the railway were entering the “Speedo Period”—the desperate push by the Japanese engineers to get the railway completed to the new earlier deadline set by Tokyo. During this period, the POWs would work extended hours and seven days a week without adequate food or medical supplies. Corporal punishment was harsh and frequent. As a consequence, sickness and death increased at an alarming rate, so urgent calls went out to Singapore for more POW workers.

On 20 March, massive evacuations from Changi began. “D” Force, which contained 2,750 British and 2,250 Australians—”fit men for heavy manual labour in a malarial climate”—was the first to leave for Up Country destinations. “There were emotional scenes,” recalled Murray Griffin, “as the parties moved out with the concert party band playing ‘Now is the Hour’ and ‘Waltzing Matilda’.”[i]

A week later, “E” Force, consisting of troops from the Southern Area and the A.I.F., was sent to Kuching, Borneo. 500 Australians were then sent on to Sandakan on the other side of the island (see future blog on Borneo).  

Between 18-26 April, “F” Force made up of British and Australian troops, which included Padre Foster-Haig and members of his musical group (inc. the pianist/symphony orchestra conductor, Renison and the singers, Aubrey King and George Wall, etc.), were sent to northern Thailand (see Chapter 2, “Jungle Shows Thailand” in my online book for a more detailed account of the fate of this group).[ii]

On 25 April 1943, “G” Force (various groups) was sent to Japan where there was also a huge labor shortage.[iii]

Then, with still urgent calls for more workers for the railway, “H” Force, made up of British and Australian POWs “with as many officers as possible with bridge-building and road-making experience” was sent to Thailand between 5-17 May.[iv] Among these troops would be the artist Ronald Searle, the female impersonator Michael Curtis, the actor/director Capt. Wilkinson,[1] and cartoonist George Sprod—and, in a break with precedence, two performers from the A.I.F. Concert Party: the singer, Doug Mathers and the ventriloquist, Tom Hussey.

On 15 May, “J” Force went off. Speculation was that they were headed for Japan.[v]

When these deployments were complete, the number of POWs left in Changi had changed dramatically:

Changi Camp, in February 1942, had held approximately 52,000 prisoners of war. By the end of May 1943, however, most of them had departed and were working for the Japanese in Burma, Thailand, Borneo, and Japan, those remaining in Changi numbered only 5550 officers and men.[vi]

And many of those POWs were either in hospital or in convalescent wards so unable to fulfill camp duties.[vii]


[1] That Wilkinson is on “H” Force seems indisputable. In my online book, I mistakenly placed him on “F” Force.


[i] Griffin, 28.

[ii] Nelson, 87.

[iii] Nelson, 25.

[iv] Nelson, 5-17 May.

[v] Nelson, 94.

[vi] Penfold, Bayliss and Crispin. Galleghan’s Greyhounds, 320.

[vii] Ibid.

Symphony Orchestra & Choir on Tour

By Sears Eldredge

Elsewhere in Changi, Reginald Renison’s 18th Division Symphony Orchestra was performing at different venues as it toured the Changi Areas in the first two weeks of March.

When it opened at the Palladium, the concert was dedicated to Padre Foster-Haigh, who was its producer.

Our Symphony concert which ran at the Palladium Theatre was a glorious success [Foster-Haigh wrote]. We had an orchestra of twenty-two players conducted by Reginald Renison, who is a very fine solo pianist; a former pupil of Myra Hess, & an able lecturer. His playing of the Schumann Pianoforte Concerto with orchestra was a delight & really a high spot in the concert. In addition to the orchestra, we had a Male Voice Choir of forty voices conducted by myself & another able musician named Kenneth Scovell, a music master in one of our English Schools & quite a good composer of anthems; while as Leader of the Orchestra we had Denis East, a very fine violinist & a member of the London Philharmonic Society. In Cyril Wycherley, a cinema organist from Ipswich I had a firsthand accompanist. During the series of concerts, I sang on five occasions. It was as much as I could do in addition to my other work. The remaining nights the soloist was Aubrey King, a most likeable fellow & a promising soloist.[i]

Mr. Terrai

After the Symphony performed in the A.I.F. Theatre, Foster-Haigh was approached by a Japanese interpreter called Mr. Terrai who had attended the concert. “He was so thrilled with the performance, that he came personally to thank me, & have a chat about music in general. . .. Mr. Terrai is a most charming conversationalist & knows a good deal about the great masters. He told me that he had a gramophone library of five hundred records, & enjoys opera & modern songs.” Foster-Haigh learned that Terrai was a Christian and before the war he taught English Literature at one of Japan’s universities. “What a strange world it is & how mixed is man!”, he writes after the meeting. “Virtually Terrai & myself are enemies because our countries are at war & yet we found a common meeting place. Music and literature made us friends.”[ii]


[i] Foster-Haigh, 7.

[ii] Foster-Haigh, 8.

Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105

Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22

Two Master Musicians:

By Sears Eldredge

Denis East

On Tuesday, 29 September at Roberts Hospital, Huxtable was able to see a performance by the “Changi Celebrity Artists” in the Officers’ Ward:

Dennis East and Coles played violin and accordion.[1] George Wall and Aubrey King sang. Fowler and one other masqueraded in women’s clothes, a delightful skit.

Afterwards, East told me about a concert tonight over at Selarang, so at 7 p.m. I met the Windmill Theatre troupe at our gate and marched with them to Selarang. Padre Haig led us and there were about 50 present, including the choir and a few hangers-on. The concert was held in the very pleasant hall, with platform, at the Convalescent Depot. . ..  Dennis East played a Mendelsohn concerto that lasted about 25 minutes. When I asked him on the way home how they had the music for the piano accompaniment he told me that they had written the whole arrangement from gramophone records which they had managed to obtain during their imprisonment![i]

Reginald Renison

In the 18th Div. Area., the brilliant O.R. pianist, Reginald Renison, had started to organize a Symphony Orchestra composed mainly of officers.

“I remember going with him to a rehearsal,” [wrote his friend Fergus Anckorn]. “When he walked into the room, nothing much happened. He tapped the music stand with his bamboo baton and got silence. He then addressed the officers saying, “Gentlemen, I am sure you must be aware that the protocol is that when the conductor enters, the orchestra rises to its feet”. He then walked out, and re-entered, when they rose to their feet as one.”[ii]


[1] A sketch by Ronald Searle of East playing the violin was not made available for this blog. East had lost his original violin in the Battle for Singapore. But he and a friend constructed a new one out of various pieces of wood found in Changi.


[i] Huxtable, 81.

[ii] Anckorn, F. Letter, 17 July 2000.

Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105

Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22