It was December, 1943, when the Australian, British and Dutch/Indonesian POWs in “H” Force returned to Singapore from Up Country. Because of a housing shortage in Changi, most of these POWs were shuttled to Sime Road Camp. A fellow officer told Lt.-Col. Reginald Burton not to worry about this location: “It was a camp in the open country part of Singapore Island, next to a golf course. It was hutted camp, with showers, lights, proper roads. It sounded like a paradise to me.”[i]
Before the war, Sime Road Camp, on the outskirts of Singapore, had been the Headquarters of the British Royal Air Force and then, in early December 1941, it became the Combined Army and Air Force Operations Headquarters Malaya Command—General Percival’s H.Q. –during the brief battles for Malaya and Singapore.
After surrender, Sime Road became an Australian and British POW camp with British officer, Lt.-Col. Philip Toosey, in charge. At some point, a concert party was formed and an outdoor theatre, dubbed the “New Cathay Theatre” was built. The opening performance was on Christmas, 1942.
Very little is known about the performers or the shows, and the only observation on their content is from Lt. Stephan Alexander: “Our new electricity supply was used to light camp concerts, at which the Aussies proved particularly uninhibited. (“Do you really love me, dear, or is that your revolver I can feel?”)”[ii] In early October, 1942, the POWs at Sime Road were sent Up Country to build two bridges over the River Kwai at Tamarkan in Thailand.
 Meaning there were wooden buildings.
 A direct steal from the American stage and screen star, Mae West.
[i] Burton, 130.
[ii] Alexander, 91.
Note that all the documents in this series of blogs reside in Sears A. Eldredge Archive in the De Witt Wallace Library at Macalester College, 1600 Grand Avenue, St. Paul, Minnesota, 55105
Sear’s book, Captive Audiences/Captive Performers: Music and Theatre as Strategies for Survival on the Thailand-Burma Railway 1942-1945, was published by Macalester College in St. Paul, Minnesota in 2014, as an open-access e-book and is available here: http://digitalcommons.macalester.edu/thdabooks/22