Tag Archives: WW2

26 June 1944: the sinking of the Harugiku Maru

To mark its anniversary, Dr Lizzie Oliver writes about the first of two sinkings of POW transport ships en route to the Sumatra Railway…

Seventy-five years ago today, 26 June 1944, a large contingent of Allied prisoners of war who had been designated to work on the Sumatra Railway were shipwrecked following ‘friendly fire’ by the British submarine HMS Truculent.

At the time, the former S.S. Van Waerwijk – renamed the Harugiku Maru by the Japanese – was being used to transport supplies from one side of the island of Sumatra to the other. What those aboard HMS Truculent didn’t know at the time, was that the ‘supplies’ being transported also included 730 Allied prisoners of war crammed down into the hold.

‘They had approximately 2’6” by 5’6”…in which to sit or lie with such kit as they possessed. There were no port-holes open on either side…There was such a congestion that the last 50 prisoners were literally beaten in the holds with sticks’. [Captain James Gordon Gordon, Royal Artillery]

Conditions during the voyage were exceptionally difficult, with meagre food and the only breaks up on deck permitted after the ship had been sailing for at least 18 hours. After much remonstration with their guards, groups of 25 men were able to go up for some fresh air every 15 minutes.

At 2pm on the 26th, two torpedoes hit the side of the ship. She sank within minutes; 180 POWs were killed, along with half of the 50 Japanese also on board.

After several hours in the water, the POWs were picked up and taken to River Valley Road Camp in Singapore. Here they would stay for three weeks until they were transported straight back to Sumatra. This time, they would find their intended destination: the jungle camps and exhausting labour of railway construction.

‘We walked…with our few worldly possessions – a sack or haversack, with a spoon and a dish, water bottle, a photo or two to remind us of loved ones at home, a toothbrush and razor blade which lasted me for 3 ½ years… We were to build a railway line…and the technical staff who were to supervise its construction, had already built a similar one in the north. We knew nothing of the Burma-Thailand line, nor that this one would be 220 kilometres long, and cross over the equator. So we toiled from daylight…until after dark, seven days a week’. [Allan Angus Munro, RAF; IWM ]

To read more, the paperback edition of Prisoners of the Sumatra Railway is available now. You can order it with a 10% discount via Bloomsbury here: https://www.bloomsbury.com/uk/prisoners-of-the-sumatra-railway-9781350118904/

Image: Wrecksite.eu

Special FEPOW Descendants’ Weekend – 16, 17, 18 November 2019

The SECRET ART OF SURVIVAL exhibition

25 October 2019 – 20 June 2020

Victoria Gallery & Museum (VG&M), Ashton Street, Liverpool L69 3DR

 SATURDAY 16thVG&M: FEPOW Focus Day 10.30am – 3.30pm

A FREE programme of activities focused on FEPOW family histories including:

·       Short talks ·       Practical workshop on looking after artworks
·       Exhibition tours ·       Sharing memories and stories
·       Archive and documentary films ·       Digital archiving of stories, artwork and artefacts

Please note this is a drop-in session and activities will be repeated throughout the day.

 

SUNDAY 17th noonFEPOW Remembrance Service, Liverpool Parish Church (near the waterfront)

Special FEPOW Evening at the Royal Liverpool Philharmonic (RLPO) Hall, Hope Street, L1 9BP

Doors Open 6.30pm, 7pm start

  • Welcome presentations, then in memory of all Far East captives, the RLPO Youth Choir perform the Vocal Orchestra arrangement of Dvorak’s Largo, created in 1943 by and for the Women of Palembang Internment Camp
  • Feature film – Merry Christmas Mr Lawrence, starring David Bowie, Tom Conti and Ryuichi Sakamoto

The booking line for the film Merry Christmas Mr Lawrence at the Royal Liverpool Philharmonic Orchestra Hall (RLPO) is now open – https://www.liverpoolphil.com/whats-on/film/merry-christmas-mr-lawrence/3459 Tickets must be booked with RLPO, either online or by telephone: 0151 709 3789, there are no reserved seats.

MONDAY 18th10–1pm VG&M: private guided viewings of the Secret Art of Survival exhibition – regrettably these are now fully booked.

NB- VG&M is open Tuesdays to Saturdays, 10am – 5pm

 IMPORTANT

Please register your interest now, fepow.project@lstmed.ac.uk stating which events you wish to attend.

Accommodation: The Liner Hotel (www.theliner.co.uk) in Lord Nelson Street (to the right of Lime Street Station) is offering special room rates for FEPOW exhibition visitors, subject to dates and availability. To book direct, call direct on 0151 709 7050 (the lower rates will only be available when calling direct) and quote FEPOW Art.

Connie Suverkropp: Dutch Civilian Internee

Dr Bernice Archer writes…

It is with great sadness that I report the death of Connie Suverkropp.

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Connie (right) speaking with Bernice at the RFHG conference in 2015. Photo courtesy of LSTM/Brian Roberts © 2015

Some of you may remember Connie and her sister Else attending the RFHG conference in Liverpool in 2015 where Connie told her story of internment by the Japanese in Java during the Second World War.

Connie was just twelve years old when she was interned with her two younger sisters, Else aged 5 and Kathy aged 2, in Tjihapit Camp and Struiswijk Prison in Java. Her two older brothers (aged 14 and 15) were interned with the men in Tjikudapateuh. Their mother, suffering from T.B. was interned in a Japanese hospital. She died just after the end of the war. Their father died in 1943 on the Burma Railway. Her grandfather died in Ambarawa Camp and her grandmother in Bloemenkamp.

So Connie became a mother to these two younger sisters who she struggled courageously to care for and educate while at the same time, as she was no longer considered a child by the Japanese, she had to work in the camps.

Connie Suverkropp 1948
Kathy, Connie and Else (from left to right) in 1948. Courtesy of the Suverkropp family.
Connie Suverkropp 2015
Kathy, Connie and Else (from left to right) in 2015. Photo courtesy of Netherlands War Graves Foundation/Rob Gieling © 2015

Thanks to Connie’s efforts all three sisters survived the gruelling time in the camps, both Else and Kathy survive her and her spirit, strength and courage live on in them and in her children and grandchildren and her wider family.

Throughout her adult life Connie was determined both to honour the memory of her parents who she missed so much and also to ensure that this dreadful part of Dutch history would not be forgotten.  Her efforts were recognised on 14 November 2007 when she was awarded the  Knight of the Order of Orange-Nassau.The statement made by mayor E.C. Bakker of Hilversum, in Museum Bronbeek (Arnhem) at the occasion of her decoration said: (a précis translation from Dutch to English by Connie’s brother-in-law Derk HilleRisLambers )

For many years of work Mrs Suverkropp focused on an accounting of history that reflects, and does justice to, the experience of the Dutch in the occupied Dutch East Indies during World War 2 – a history which she lived and remembers herself, and which dramatically affected her own family, and which has formed her as a person.

Connie has contributed by serving in the board of the “Foundation Guest Lecturers on WW-2, South-East Asia” (Stichting Gastdocenten WO II Werkgroep Zuid-Oost Azië). The Foundation offers guest lectures on history in schools in the Netherlands.

She made a special effort to get Dutch-Indonesian historic facts integrated into the curriculum History of the Netherlands in secondary schools: through special projects with the Royal Tropical Institute, and exhibits in the educational museum Museon. She also gave lectures on the subject in schools in Japan.

Connie was active in the Film Foundation Japanese Occupation of DEI.

With her activities she helped open the eyes of many Dutch students to this special part of history, Dutch history, of the Dutch East Indies. She has served the Dutch Indonesian community through her efforts to prevent their history from being swept under the rug, and forgotten.

 

THE 7TH INTERNATIONAL FEPOW HISTORY CONFERENCE – Registration Open

Making and marking memory: widening perspectives on Far East captivity

5 – 7 June 2020, Liverpool

Co-hosted by the Researching FEPOW History Group (RFHG) and the Liverpool School of Tropical Medicine (LSTM), our 7th international conference will focus on the stories and creativity that sustained prisoners, internees and forced labourers throughout captivity. We will also look at the made, recorded and preserved memories that subsequent generations have drawn upon in their own responses to this rich and moving history. In doing so, we will look for different perspectives and new voices to shed light on all that is yet to learn about – and from – the experiences of captivity, internment and forced labour across Southeast Asia and the Far East.

Taking place during the 75th anniversary year of liberation, and in conjunction with LSTM’s Art of Survival exhibition, the conference will encourage delegates to think of the objects, poems, artworks, and stories that resonated with prisoners and enabled their narratives to endure for many decades post-war.

Located at The Liner Hotel and LSTM buildings in the beautiful city of Liverpool, speakers already confirmed include: award-winning novelist Mark Dapin, acclaimed history writer Damien Lewis, representatives from the Commonwealth War Graves Commission, British Red Cross, Imperial War Musem, the WarGen history project plus many more family researchers, academics, photographers and writers.

BOOK YOUR PLACE!

Spaces are limited, and are offered on a first-come, first-served basis. The registration form can be downloaded here: ConferenceBookingForm2020.  The form includes details on fees, a special discount code at The Liner for conference delegates. Please return your forms and deposits as soon as possible to the address on the registration form, or to researchingfepowhistory@gmail.com.

Hope to see you there!

 

POW War Graves in Thailand

 

To coincide with the publication of her latest article in History Today, Dr Clare Makepeace writes for RFHG about her moving research into POW war graves in Thailand.

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Kanchanaburi War Cemetery © Richard Stokoe

A few years ago, I visited Kanchanaburi and Chungkai war cemeteries in Thailand, which lie approximately 80 miles north-west of Bangkok. The cemeteries contain the bodies of thousands of POWs who died while constructing the Thai-Burma railway. I was backpacking around Asia at the time and, in between immersing myself in the continent’s wonderful food and culture, I was visiting every historical site I could reach. While staying in Kanchanaburi, I also went to the Hellfire Pass Interpretive Centre and Memorial Walking Trail and the Thailand-Burma Railway Centre. I still regard the latter as the best museum I have ever visited.

Visiting the war cemeteries was a profoundly moving experience. I had gone to war cemeteries in the past, but this was something different. I think part of the difference was due to my physical surroundings. The cemeteries felt like surreal enclaves. Their beautifully-tended green lawns and the peace and serenity that reigned within them contrasted starkly with Bangkok’s cacophony and concrete, from which I had recently emerged. Another reason for the difference was that, unlike in other war cemeteries, I could picture quite vividly the circumstances in which these men perished, that is while in captivity, while being forced to work on the Thai-Burma railway and, in all likelihood, from one or a combination of five diseases. Dysentery, malaria, tropical ulcers, cholera and malnutrition were the main killers. Knowing the conditions and causes from which most of these men died somehow made them more human, more tangible and more real.

However, I was moved most by the personal inscriptions carried on each man’s headstone. These inscriptions ensured I was not just scrolling through reams of names, ranks and ages, but that I was seeing individual after individual, and grieving family after grieving family. I was seeing a son who would never take up his place at the dinner table again when I read ‘He sits no more at familiar tables of home, he sleeps beyond England’s foam’. Or, when I looked at the inscription ‘Secret tears often flow; what it meant to lose you no one will ever know’, I saw bereaved parents, whose stoicism was hiding an untellable loss.

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Chungkai War Cemetery © Richard Stokoe

I decided there and then that one day I would write about these epitaphs. I felt there was a powerful story to be told: about how the bereaved in the Second World War made sense of losing a loved one in such horrific circumstances.

In 2017, I spent a couple of months reading the inscription on every single headstone belonging to the 6,609 men from the British armed forced who are buried at Kanchanaburi war cemetery, Chungkai war cemetery and Thanbyuzayat war cemetery. Thanbyuzayat lies just over the border in Myanmar. It contains the graves of those who lost their lives along the northern section of the line.

When I read these thousands of inscriptions, some stood out for their tenderness, others for their intimacy, some for their anger and a few for their appalling stories of parental loss. I dug deeper behind the names and inscriptions, to unearth what I could about the life of each of these prisoners. Beyond these individual stories, when I looked at the epitaphs as a whole, I was able to draw some broad conclusions about how people made sense of their bereavement in the Second World War.

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© Mick Newbatt, CWGC.

My research has just been published in this month’s edition of History Today. I’m delighted to see it in print but, if truth be told, I’m also feeling some trepidation. When we write history, we have to be as accurate and informative as we can. That’s a given. But the more I know about what prisoners of war went through and the more I understand the trials they faced, the more I hope I write about them with the respect and sensitivity I think they deserve. I feel an increasing sense of responsibility not to let their memory down. Today I feel that obligation more than ever. I’m not sure if that attachment to my subject makes me a good or a bad historian. I think I’ll let you decide. If you read my article, perhaps you can let me know.

Clare Makepeace is the author of Captives of War. British Prisoners of War in Europe in the Second World War. She is also an Honorary Research Fellow at Birkbeck, University of London.

All words © Clare Makepeace, 2019. Feature image: Kanchanaburi War Cemetery © Richard Stokoe.

Save the Dates: RFHG Workshop and Conference

Two FEPOW research dates for your diaries….!

Captivity, internment and forced labour across the Far East during the Second World War.
Institute of Historical Research, London

10 June 2019

If you would like the chance to speak at our next workshop, please send a 200 word summary of your proposed talk to researchingfepowhistory@gmail.com by 25 January 2019.

  • Talks are welcomed from relatives of former prisoners/internees, undergraduate and postgraduate students, academics, cultural institutions and museums, as well as members of the wider public.
  • Registration will open in January 2019!

For more details, see our website: https://fepowhistory.com/call-for-papers/

The 7th International FEPOW History Conference
Liverpool, UK

5 – 7 June 2020

What you need to know:

Co-hosted by the Researching FEPOW History Group (RFHG) and the Liverpool School of Tropical Medicine (LSTM), our next conference will take place during the 75th anniversary year of liberation in conjunction with LSTM’s Art of Survival exhibition.

  • An exciting line-up of speakers already confirmed, including acclaimed history writers, historians, novelists, photographers, museums, libraries and archives.
  • Places will be limited — be ready for booking to open in Spring 2019!

Keep an eye on https://fepowhistory.com/ for our guest blogs, and future announcements!

FEPOW Documentary Art Study: Ashley George Old

In the second in her blog series focusing on the artists celebrated in LSTM’s 2019 Art of Survival exhibition, Meg Parkes remembers Ashley George Old, a remarkable British Far East POW artist who, had he lived, would have been 105 on 3 November 2018.

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Framed original 1943 watercolour portrait of Far East POW dental officer, Captain David Arkush RDC, painted at Chungkai hospital camp in Thailand by Gunner Ashley Old, 5th Sherwood Foresters (courtesy of the Arkush family).

Ashley George Old was born in 1913 and grew up in Northamptonshire. He studied at the Northampton School of Art and later worked pre-war as a commercial artist in the men’s fashion industry. During WWII he served as a Gunner in the 5th Sherwood Foresters. Captured in Singapore following the capitulation on 15 February 1942, he was first held at Changi POW camp before being moved to Thailand.

Throughout captivity, Old used his artistic talent to create watercolour portraits of fellow POWs in exchange for a fill of tobacco. Many examples, like the one above, are to be found in private ownership and museum collections. He used the local laterite clay, which when dried, ground and mixed with water created his signature rusty reddish hues, so familiar in much of his work.

Old’s medical artwork is remarkable. Along with a handful of other British servicemen who were trained artists, in particular Gunners Chalker, Searle and Meninsky, Old worked secretly for the POW medical staff in the hospital camps of the Thai-Burma railway (the Japanese had banned the keeping of any records, written, drawn or painted). Working often when they too were sick, these courageous men documented the scenes before them, recording for future reference the realities of the herculean battle to keep desperately sick men alive.

Old’s detailed and graphic depictions add greatly to our understanding of the conditions that prevailed, including the extraordinary medical ingenuity employed by Allied POW in the base hospital camp at Chungkai in Thailand. Following liberation, Old and Meninsky stayed on at the request of Australian POW surgeon Major Arthur Moon, working in Rangoon for a few weeks recording medical cases in hospital.

Throughout his post-war life Ashley Old struggled with the after-effects of his captivity. He was one of the most talented and yet remains perhaps the least well-known of the British FEPOW medical artists. He died, aged 88, in 2001.

Old’s work will feature in the Liverpool School of Tropical Medicine’s forthcoming Art of Survival exhibition. It will be the first time that artwork uncovered by researchers at the Tropical School will be seen in public, all of it created during captivity by over 50 previously unrecognised British Far East POW artists.

The exhibition opens in mid-October 2019 at Liverpool’s Victoria Gallery & Museum and runs until mid-June 2020, marking the 75th year since the ending of WWII and the liberation of Far East captives.