Victoria Gallery & Museum (VG&M), Ashton Street, Liverpool L69 3DR
SATURDAY 16th – VG&M: FEPOW Focus Day 10.30am – 3.30pm
A FREE programme of activities focused on FEPOW family histories including:
· Short talks
· Practical workshop on looking after artworks
· Exhibition tours
· Sharing memories and stories
· Archive and documentary films
· Digital archiving of stories, artwork and artefacts
Please note this is a drop-in session and activities will be repeated throughout the day.
SUNDAY 17thnoon – FEPOWRemembrance Service, Liverpool Parish Church (near the waterfront)
Special FEPOW Evening at the Royal Liverpool Philharmonic (RLPO) Hall, Hope Street, L1 9BP
Doors Open 6.30pm, 7pm start
Welcome presentations, then in memory of all Far East captives, the RLPO Youth Choir perform the Vocal Orchestra arrangement of Dvorak’s Largo, created in 1943 by and for the Women of Palembang Internment Camp
Feature film – Merry Christmas Mr Lawrence, starring David Bowie, Tom Conti and Ryuichi Sakamoto
Accommodation: The Liner Hotel (www.theliner.co.uk) in Lord Nelson Street (to the right of Lime Street Station) is offering special room rates for FEPOW exhibition visitors, subject to dates and availability. To book direct, call direct on 0151 709 7050 (the lower rates will only be available when calling direct) and quote FEPOW Art.
It is with great sadness that I report the death of Connie Suverkropp.
Some of you may remember Connie and her sister Else attending the RFHG conference in Liverpool in 2015 where Connie told her story of internment by the Japanese in Java during the Second World War.
Connie was just twelve years old when she was interned with her two younger sisters, Else aged 5 and Kathy aged 2, in Tjihapit Camp and Struiswijk Prison in Java. Her two older brothers (aged 14 and 15) were interned with the men in Tjikudapateuh. Their mother, suffering from T.B. was interned in a Japanese hospital. She died just after the end of the war. Their father died in 1943 on the Burma Railway. Her grandfather died in Ambarawa Camp and her grandmother in Bloemenkamp.
So Connie became a mother to these two younger sisters who she struggled courageously to care for and educate while at the same time, as she was no longer considered a child by the Japanese, she had to work in the camps.
Thanks to Connie’s efforts all three sisters survived the gruelling time in the camps, both Else and Kathy survive her and her spirit, strength and courage live on in them and in her children and grandchildren and her wider family.
Throughout her adult life Connie was determined both to honour the memory of her parents who she missed so much and also to ensure that this dreadful part of Dutch history would not be forgotten. Her efforts were recognised on 14 November 2007 when she was awarded the Knight of the Order of Orange-Nassau.The statement made by mayor E.C. Bakker of Hilversum, in Museum Bronbeek (Arnhem) at the occasion of her decoration said: (a précis translation from Dutch to English by Connie’s brother-in-law Derk HilleRisLambers )
For many years of work Mrs Suverkropp focused on an accounting of history that reflects, and does justice to, the experience of the Dutch in the occupied Dutch East Indies during World War 2 – a history which she lived and remembers herself, and which dramatically affected her own family, and which has formed her as a person.
She made a special effort to get Dutch-Indonesian historic facts integrated into the curriculum History of the Netherlands in secondary schools: through special projects with the Royal Tropical Institute, and exhibits in the educational museum Museon. She also gave lectures on the subject in schools in Japan.
Connie was active in the Film Foundation Japanese Occupation of DEI.
With her activities she helped open the eyes of many Dutch students to this special part of history, Dutch history, of the Dutch East Indies. She has served the Dutch Indonesian community through her efforts to prevent their history from being swept under the rug, and forgotten.
Making and marking memory: widening perspectives on Far East captivity
5 – 7 June 2020, Liverpool
Co-hosted by the Researching FEPOW History Group (RFHG) and the Liverpool School of Tropical Medicine (LSTM), our 7th international conference will focus on the stories and creativity that sustained prisoners, internees and forced labourers throughout captivity. We will also look at the made, recorded and preserved memories that subsequent generations have drawn upon in their own responses to this rich and moving history. In doing so, we will look for different perspectives and new voices to shed light on all that is yet to learn about – and from – the experiences of captivity, internment and forced labour across Southeast Asia and the Far East.
Taking place during the 75th anniversary year of liberation, and in conjunction with LSTM’s Art of Survival exhibition, the conference will encourage delegates to think of the objects, poems, artworks, and stories that resonated with prisoners and enabled their narratives to endure for many decades post-war.
Located at The Liner Hotel and LSTM buildings in the beautiful city of Liverpool, speakers already confirmed include: award-winning novelist Mark Dapin, acclaimed history writer Damien Lewis, representatives from the Commonwealth War Graves Commission, British Red Cross, Imperial War Musem, the WarGen history project plus many more family researchers, academics, photographers and writers.
BOOK YOUR PLACE!
Spaces are limited, and are offered on a first-come, first-served basis. The registration form can be downloaded here: ConferenceBookingForm2020. The form includes details on fees, a special discount code at The Liner for conference delegates. Please return your forms and deposits (by 30 June 2019 please) to the address on the registration form.
To coincide with the publication of her latest article in History Today, Dr Clare Makepeace writes for RFHG about her moving research into POW war graves in Thailand.
A few years ago, I visited Kanchanaburi and Chungkai war cemeteries in Thailand, which lie approximately 80 miles north-west of Bangkok. The cemeteries contain the bodies of thousands of POWs who died while constructing the Thai-Burma railway. I was backpacking around Asia at the time and, in between immersing myself in the continent’s wonderful food and culture, I was visiting every historical site I could reach. While staying in Kanchanaburi, I also went to the Hellfire Pass Interpretive Centre and Memorial Walking Trail and the Thailand-Burma Railway Centre. I still regard the latter as the best museum I have ever visited.
Visiting the war cemeteries was a profoundly moving experience. I had gone to war cemeteries in the past, but this was something different. I think part of the difference was due to my physical surroundings. The cemeteries felt like surreal enclaves. Their beautifully-tended green lawns and the peace and serenity that reigned within them contrasted starkly with Bangkok’s cacophony and concrete, from which I had recently emerged. Another reason for the difference was that, unlike in other war cemeteries, I could picture quite vividly the circumstances in which these men perished, that is while in captivity, while being forced to work on the Thai-Burma railway and, in all likelihood, from one or a combination of five diseases. Dysentery, malaria, tropical ulcers, cholera and malnutrition were the main killers. Knowing the conditions and causes from which most of these men died somehow made them more human, more tangible and more real.
However, I was moved most by the personal inscriptions carried on each man’s headstone. These inscriptions ensured I was not just scrolling through reams of names, ranks and ages, but that I was seeing individual after individual, and grieving family after grieving family. I was seeing a son who would never take up his place at the dinner table again when I read ‘He sits no more at familiar tables of home, he sleeps beyond England’s foam’. Or, when I looked at the inscription ‘Secret tears often flow; what it meant to lose you no one will ever know’, I saw bereaved parents, whose stoicism was hiding an untellable loss.
I decided there and then that one day I would write about these epitaphs. I felt there was a powerful story to be told: about how the bereaved in the Second World War made sense of losing a loved one in such horrific circumstances.
In 2017, I spent a couple of months reading the inscription on every single headstone belonging to the 6,609 men from the British armed forced who are buried at Kanchanaburi war cemetery, Chungkai war cemetery and Thanbyuzayat war cemetery. Thanbyuzayat lies just over the border in Myanmar. It contains the graves of those who lost their lives along the northern section of the line.
When I read these thousands of inscriptions, some stood out for their tenderness, others for their intimacy, some for their anger and a few for their appalling stories of parental loss. I dug deeper behind the names and inscriptions, to unearth what I could about the life of each of these prisoners. Beyond these individual stories, when I looked at the epitaphs as a whole, I was able to draw some broad conclusions about how people made sense of their bereavement in the Second World War.
My research has just been published in this month’s edition of History Today. I’m delighted to see it in print but, if truth be told, I’m also feeling some trepidation. When we write history, we have to be as accurate and informative as we can. That’s a given. But the more I know about what prisoners of war went through and the more I understand the trials they faced, the more I hope I write about them with the respect and sensitivity I think they deserve. I feel an increasing sense of responsibility not to let their memory down. Today I feel that obligation more than ever. I’m not sure if that attachment to my subject makes me a good or a bad historian. I think I’ll let you decide. If you read my article, perhaps you can let me know.
The 7th International FEPOW History Conference
Liverpool, UK 5 – 7 June 2020
What you need to know:
Co-hosted by the Researching FEPOW History Group (RFHG) and the Liverpool School of Tropical Medicine (LSTM), our next conference will take place during the 75th anniversary year of liberation in conjunction with LSTM’s Art of Survival exhibition.
An exciting line-up of speakers already confirmed, including acclaimed history writers, historians, novelists, photographers, museums, libraries and archives.
Places will be limited — be ready for booking to open in Spring 2019!
Ashley George Old was born in 1913 and grew up in Northamptonshire. He studied at the Northampton School of Art and later worked pre-war as a commercial artist in the men’s fashion industry. During WWII he served as a Gunner in the 5th Sherwood Foresters. Captured in Singapore following the capitulation on 15 February 1942, he was first held at Changi POW camp before being moved to Thailand.
Throughout captivity, Old used his artistic talent to create watercolour portraits of fellow POWs in exchange for a fill of tobacco. Many examples, like the one above, are to be found in private ownership and museum collections. He used the local laterite clay, which when dried, ground and mixed with water created his signature rusty reddish hues, so familiar in much of his work.
Old’s medical artwork is remarkable. Along with a handful of other British servicemen who were trained artists, in particular Gunners Chalker, Searle and Meninsky, Old worked secretly for the POW medical staff in the hospital camps of the Thai-Burma railway (the Japanese had banned the keeping of any records, written, drawn or painted). Working often when they too were sick, these courageous men documented the scenes before them, recording for future reference the realities of the herculean battle to keep desperately sick men alive.
Old’s detailed and graphic depictions add greatly to our understanding of the conditions that prevailed, including the extraordinary medical ingenuity employed by Allied POW in the base hospital camp at Chungkai in Thailand. Following liberation, Old and Meninsky stayed on at the request of Australian POW surgeon Major Arthur Moon, working in Rangoon for a few weeks recording medical cases in hospital.
Throughout his post-war life Ashley Old struggled with the after-effects of his captivity. He was one of the most talented and yet remains perhaps the least well-known of the British FEPOW medical artists. He died, aged 88, in 2001.
Eric Lomax’s book, ‘The Railway Man’, records his terrible experiences as a Japanese prisoner of war. The book inspired the film of the same name starring Colin Firth, Nicole Kidman and Jeremy Irvine. Charmaine McMeekin is Eric’s daughter and she will speak movingly about living with the painful legacy of her father’s experiences and her own journey to find peace and reconciliation with him. Charmaine was a nurse and midwife, she is now a counsellor and psychotherapist in Edinburgh.
Captain Clarkson Blackater was also captured by the Japanese in 1942 and sent to work on the notorious Burma -Thai Railway. The secret diary he kept during his ordeal became the basis of his book ‘Gods Without Reason’. His daughter, Phyllida, and grandson, Piers Bowser, will use extracts from his book, along with private letters and poems to reveal how his faith and his love for his family sustained him through his dark days in captivity.